Collaborations and Bio
An itinerant art collective focused on reimagining ruined spaces as portals to otherworldly playgrounds |
Providing blind archaeologists with the finest-quality flashlights and orchestrating playful adventures in delightfully unsettling locations since 1998.
Recent events: Las Palabras de Muerte (Barcelona / for the Influencers Festival) // Beach Blanket Bingo (Detroit) // Phantom of the Opera (Catskills) (graphics & video by Bryan Parcival)
Bio
I've been a director of experiental performances, photographer and curator since the late 1990s and a writer all my life. Born and raised in Germany, I studied philosophy at UCLA before moving to New York, where I was increasingly drawn to the narratives offered by decaying and subterranean urban spaces. In 1998 I assembled the artist group Dark Passage in Brooklyn with the mission of staging evocative, performance-based scavenger hunts and parlor games at forgotten sites and inspiring people to playfully create stories and relationships that place ruins in a fun and meaningful context. We've also been documenting all kinds of architectural transformations after abandonment and exploring ways to turn our discoveries and ruminations into books, films and further art installations.
I founded Ars Subterranea: The Society for Creative Preservation in 2002 with New York's first exhibition on underground art in an actual underground location, the Atlantic Avenue Tunnel; the same year the German version of my book New York Underground was published in Berlin. I contributed to American Ruins, Madagascar Institute, Place in History and co-founded Furnace Press while continuing collaborations with Tom Kirsch, Bryan Papciak, Christos Pathiakis and other artists. Prestel published my book Stages of Decay on abandoned theaters in 2013; my most recent book, co-authored with the mayor of a coal-mining town in West Virginia, is Capsule out of Time from Arcadia (2019). These past and present projects have mainly revolved around the temporality, aesthetics, personalities and narratives emerging from decomposition.
After relocating to Detroit, my long-term collaborators and I created the nonprofit arts group Seafoam Palace. Since then, I have focused on directing immersive events, most notably the series Falling Sideways -- a project that continues to evolve.
Around Town
Fellow of the New York Foundation for the Arts
Sneak appearances
Re/Search: Pranks 2
Grand Arts: Problems and Provocations
International Photography Magazine
Rebel Yell
and recently
Grand Circus Magazine
Hypoallergic
New York Times
DAMn Magazine
BOMB
Huffington Post
Chance Magazine
D'Architectures